Details Are Part of Our Difference
Embracing the Evidence at Anheuser-Busch – Mid 1980s
529 Best Practices
David Booth on How to Choose an Advisor
The One Minute Audio Clip You Need to Hear
Category: People
The Muny: Celebrating a Century of Excellence
What’s 100 years old, a member of the Hill Investment Group family, and the first and largest of its kind?
If you’re a St. Louisan, you may already know the answer is The St. Louis Municipal Opera Theatre – or, The Muny, to its many friends. Founded in 1918, the Muny is the oldest and largest outdoor musical theatre in the nation. The HIG connection comes from the fact that its long-tenured President and CEO Dennis Reagan is our own John Reagan’s dad. (Reagan Senior has been a fixture at the theatre since he joined their ranks more than 50 years ago!)
To commemorate its centennial, we hosted a birthday bash for this beloved venue on August 12, including a pre-show dinner and backstage theatre tour, followed by the season’s closing production of (what else?) “Meet Me in St. Louis.”
We were pleased to put on the event, enjoyed by a good number of our local friends. What a night it was. Because pictures will capture the event far better than words can, we invite you to stroll over to HIG’s Instagram page, where we’ve posted several other photos of the fun.
Here’s to the Muny’s next season … 101 and counting!
The Curious Ties That Bind
“We do things very differently from an investment standpoint – to which I would say: So what? … [W]hat I’ve always admired about Cliff is his intellectual soundness. … I’ve always admired that in anybody. And it doesn’t matter whether their intellectual ideas align with my own or not.”See what I mean? Especially when it comes to the science of investing, nobody has everything figured out. Even if we did, markets evolve over time, generating new insights, possibilities and questions – new subjects to debate. That’s one of the reasons I love what we do. PS: Here’s the iTunes Podcast channel link, if you’d like to “App it.”
Astroball: Awesome Summer Reading
What do you get when you combine an evidence-based process with visionary team spirit and brilliant leadership? A World Series Commissioner’s Trophy, for starters. The “rags to riches” tale of the Houston Astros 2017 World Series victory is now available for your reading pleasure, thanks to Sports Illustrated senior writer Ben Reiter.
We love the recent approach to managing the Astros because it mirrors our approach to investing in two major ways:
- First, it is backed by data. The Astros management seeks to fully understand the factors that drive wins, quantify them, and weight heavily toward them.
- Second, like with investing, achieving your long-term goals may sometimes require short-term sacrifices. If you have the right philosophy and the right process, you can trust that the odds will work in your favor long-term.
Something of a visionary himself, Reiter actually predicted the team’s 2017 victory on the cover of the magazine’s June 30, 2014 edition. Was that luck or forecasting talent? You be the judge, when you read Reiter’s entertaining account in “Astroball: The New Way to Win It All.”
Reminiscent of Michael Lewis’ Moneyball tale of the Oakland A’s, the Astros applied similar evidence-based strategies to improve their game. They leveraged what the Oakland A’s Billy Beane began and took it a step further, incorporating (with help from the “Nerd Cave”) scores for more unconventional qualities, such as personality and grit. These elements and more are touched on in this review: “[R]oster-creation, all by itself, did not bring home the championship. Building an exceptional team is one thing, but making it work as a team is another.”
We’ve said it before; we’ll say it again: We couldn’t be prouder of our exceptional home-town team. Go Astros!
Bonus read: For more of baseball’s rich historical lore, I also enjoyed this recent PBS documentary on legendary hitter Ted Williams, in all his quirky glory (narrated by St. Louis’s own Jon Hamm). This related New York Times piece tells the backstory of how some of the film’s best footage was almost lost for good.